CruCon Cruise Outlet Main StageCRUCON CRUISE OUTLET MAIN STAGE
THE ALLMAN BROTHERS BAND & STEVE WINWOOD
MAGIC HAT STAGE:
The Mallett Brothers Band (5:30 PM)
Tent Sites Available!
Extra InformationParking Opens: 4:30 PM
Doors Open: 5:30 PM
Audio Recording: No
Video Recording: No
Flash Photography: No
Food & Drink: No
*Non-Professional photography / no zoom lenses larger than 2 inches / no detachable lenses
OnSales & PreSales
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Inner Circle PresaleBecome part of the Inner Circle and always be the first group to get in. Members also get their own entrance, own bar lounge and their own private restrooms!
|Reserved Seating (Covered Pavilion)-P1||$69.00||$8.75||$77.75|
|Reserved Seating (Covered Pavilion)-P2||$59.00||$8.00||$67.00|
|The Beringer Club (Covered Including Cocktail Service)||$84.00||$10.25||$94.25|
|Moxie Energy Lawn Seating (Uncovered-General Admission)||$29.50||$5.75||$35.25|
The Allman Brothers Band
As the principal architects of Southern rock, the Allman Brothers Band forged this new musical offshoot from elements of blues, jazz, soul, R&B and rock and roll. Along with the Grateful Deadand Cream, they help advance rock as a medium for improvisation. Their kind of jamming required a level of technical virtuosity and musical literacy that was relatively new to rock & roll, which had theretofore largely been a song-oriented medium. The original guitarists in the Allman Brothers Band - Duane Allman and Dickey Betts – broke that barrier with soaring, extended solos. Combined with organist Gregg Allman’s gruff, soulful vocals and Hammond B3 organ, plus the forceful, syncopated drive of a rhythm section that included two drummers, the Allman Brothers Band were a blues-rocking powerhouse from their beginnings in 1969.
The group’s marathon concerts, best captured on the classic The Allman Brothers Band At Fillmore East (1971), are the stuff of rock legend. Surviving ups and downs, including the deaths of several members, the Allman Brothers rank among rock’s greatest performing entities. Moreover, their success paved the way for other bands from the South, including Lynyrd Skynyrd, the Marshall Tucker Band, and the Charlie Daniels Band. To date, the Allman Brothers Band have had ten gold albums, four of which have been certified platinum (At Fillmore East, Eat a Peach and Brothers and Sisters) or multiplatinum (A Decade of Hits).
The group formed around the nucleus of Gregg and Duane Allman. Younger brother Gregg initially taught and encouraged Duane to pick up the guitar. With Duane dropping out of school in order to master the instrument, the brothers played in bands around Daytona Beach, Florida, as far back as 1961. They formed the Allman Joys in 1965, combining the Southern blues and soul influences that they’d grown up hearing with the with rocking new sounds of the British Invasion bands (especially the Yardbirds). Evolving into the Hourglass, the brothers and their bandmates recorded a pair of albums in Los Angeles for the Liberty label, one of which (Power of Love, 1968), foreshadowed the sound that would fully emerge with the Allman Brothers Band.
The group’s first two studio albums - The Allman Brothers Band (1969) and Idlewild South (1970) - contained classic songs like “Dreams,” “Whipping Post,” “Midnight Rider” and “Revival.” Both were hard-hitting announcements of the Southern-rock sound. However, it was in concert that the band burned brightest. Led by Duane Allman’s searing guitar, the Allman Brothers Band’s live shows left devoted fans in their wake. The March 1971 concerts recorded for At Fillmore Eastin New York caught them at their peak. Sadly, the Allman Brothers Band was dealt a catastrophic blow when Duane Allman was killed in a motorcycle crash in Macon, Georgia, on October 29, 1971. A year later, on November 11, 1972, bassist Berry Oakley died under eerily similar circumstances only a few blocks from where Duane’s accident had occurred.
However, the group regrouped and persevered. The group’s most commercially successful albums came in the wake of their tragic losses. The double album Eat a Peach (1972), which included Duane’s last three studio performances, reached Number Four, and 1973’s Brothers and Sisters was Number One for five weeks. Guitarist Dickey Betts moved to the forefront, opening up the band’s sound with the country-rock approach of “Blue Sky” and “Ramblin’ Man,” and with the lengthy instrumental pieces he composed, including “In Memory of Elizabeth Reed,” “Les Bres in A Minor” and “High Falls.” The Allman Brothers Band’s pinnacle of popularity came on July 28, 1973, when they performed on a bill with the Grateful Dead and The Band at the Grand Prix Racecourse in Watkin’s Glen, New York, before 600,000 rock fans.
In the mid-Seventies, the road got rocky again for the Allman Brothers Band. Internal dissension and substance-abuse problems triggered a two-year hiatus in the mid-Seventies. However, a joint appearance between the Gregg Allman Band and the Dickey Betts Band in August 1978 led to a full-fledged reunion and the release of Enlightened Rogues in 1979. The reformed Allman Brothers Band reverted to their classic dual-guitar lineup with the addition of Dan Toler on guitar. In 1980, Dan’s brother, Frankie Toler, would replace Jaimoe on drums. This lineup moved from Capricorn to Arista Records, where they released the albums Reach for the Sky andBrothers of the Road.
The Allman Brothers Band disbanded again in 1982. In 1989, the box set Dreams was released, and the group reunited again for what turned out to be one of the most productive chapters in its storied history. The addition of guitarist Warren Haynes and bassist Allen Woody revitalized the band, leading to some of the strongest playing that had been heard since the days of Duane Allman and Berry Oakley. In fact, the most stable lineup in the Allman Brothers Band’s history crystallized in 1991 as a septet comprising Gregg Allman, Dickey Betts, Butch Trucks, Jaimoe, Warren Haynes, Allen Woody and percussionist Marc Quinones. Haynes came closer than any other player who passed through their ranks to capturing Duane Allman’s passion and technique. The Allman Brothers Band released two of the most inspired studio albums of their entire career - Shades of Two Worlds and Where It All Begins – in the early Nineties. This lineup’s six-year run ended with the departure of Haynes and Woody, who devoted themselves full-time to their band Gov’t Mule.
In 1999, the Allman Brothers Band celebrated their 30th anniversary with an 18-night stand at New York’s Beacon Theatre. More than 40 years later, they remain an incendiary performing unit for whom (to quote a line from “Midnight Rider”) “the road goes on forever.”
Current members of The Allman Brothers Band include:Gregg Allman
Jai Johanny "Jaimoe" Johanson
For more than four decades, Steve Winwood has remained a primary figure in rock ‘n’ roll, a respected innovator who has helped to create some of the genre’s most celebrated achievements.
Winwood burst into prominence in 1963 with the Spencer Davis Group and since that time his celebrated skills as a composer, vocalist, and multi-instrumentalist have developed an impressive catalog of popular music.
That extraordinary portfolio of music began at the age of fifteen as the driving force of the Spencer Davis Group. The group enjoyed a string of chart success by way of such enduring classics as “Keep On Running” “Gimme Some Lovin’” and “I’m A Man”. The international success of these singles bolstered Winwood’s confidence and strengthened his resolve to seek out new rhythmic possibilities.
In 1967, Winwood left the Spencer Davis Group and co-founded Traffic. Beloved for their eclectic style and superbly crafted songs, Traffic routinely defied convention to celebrate a host of diverse sounds and influences. Landmark albums such as Mr. Fantasy and John Barleycorn Must Die confirmed their position as one of the most important British groups of the 1960’s and 1970’s.
Eager to try his hand with other creative partnerships, Winwood left Traffic in 1969 to join a new group formed by Cream guitarist Eric Clapton and drummer Ginger Baker. The pairing of Winwood with Cream’s Eric Clapton, Ginger Baker and later, former Family bassist Rick Grech, created what many critics dubbed rock first supergroup. The international popularity of Blind Faith, the group’s sole album, confirmed their special chemistry. Blind Faith staples such as “Can’t Find My Way Home” continue to rank among Winwood’s finest achievements.
In 1970, Winwood reformed Traffic and guided a highly successful run founded on such popular albums as Low Heeled Spark Of High Heeled Boys and Shoot Out At The Fantasy Factory. By 1975, Traffic splintered as the allure of solo projects and new creative partnerships proved too tempting to resist.
1977’s solo debut Steve Winwood signaled a bold new artistic direction. Such a shift should hardly come as a surprise for those who have followed Winwood’s distinguished career. Beginning with Traffic and extending through such landmark solo albums as the Grammy Award winning Back In The High Life and Roll With It, Winwood has nurtured a restless creative spirit, mining rich musical traditions such as Delta blues, English Folk, R&B, and West African calypso and merging these diverse influences within his own unmistakable sound.
Winwood’s solo career has yielded a rich catalog of popular songs including “Back In The High Life,” “When You See A Chance,” “Valerie,” and “Higher Love”. His most recent solo album, About Time, has continued that success, earning Winwood one of his highest Billboard chart entries.
Winwood has since renewed his creative partnership with Eric Clapton. Their expansive CD and DVD Live At Madison Square Garden was nominated for two Grammy Awards and rewarded their many fans with some of the most exciting performances of their careers. Subsequent tours of the United States and Japan make clear the lasting appreciation fans have for their unique talents.
Winwood continues to perform throughout the world and record new music, furthering his impressive legacy. In addition to his many achievements as a solo artist, Winwood remains in high demand for special collaborations with other artists. His distinctive Hammond organ has graced such classic fare as Jimi’s Hendrix’s “Voodoo Chile” as well as Miranda Lambert’s recent chart hit “Baggage Claim”.
It should come as no surprise to learn that many honors have been bestowed on Steve Winwood. He is a recipient of the Ivor Novello Outstanding Song Collection and the Musicians Union Classic Rock Award—honors both voted for by his peers. He has also received an honorary Doctorate Degree in Music from Berkeley College Of Music as well as a second Doctorate from Ashton University in his hometown of Birmingham, England. On June 5th, he will be inducted into the Walk Of Fame in Nashville, TN.
While rightfully acknowledged for his many achievements, Steve Winwood forges ahead undaunted, continuing to create and perform new and exciting material. He remains one of the most important and influential artists in all of popular music.