CruCon Cruise Outlet Main StageThe Morning Buzz and Rock 101 Welcome
GEORGE THOROGOOD & BUDDY GUY
MAGIC HAT STAGE:
The Glympse (5:00 PM)
Extra InformationParking Opens: 4:00 PM
Doors Open: 5:00 PM
Audio Recording: No
Video Recording: No
Flash Photography: No
Food & Drink: No
Resale Allowed: No
Delivery Delay: No
*Non-Professional photography / no zoom lenses larger than 2 inches / no detachable lenses
< Purchase >
|Reserved Seating (Covered Pavilion)-P1||$50.75||$9.00||$59.75|
|Reserved Seating (Covered Pavilion)-P2||$39.00||$7.75||$46.75|
|The Beringer Club (Covered Including Cocktail Service)||$64.00||$10.25||$74.25|
|Moxie Energy Lawn Seating (Uncovered-General Admission)||$23.25||$6.50||$29.75|
A blues-rock guitarist who draws his inspiration from Elmore James, Hound Dog Taylor, and Chuck Berry, George Thorogood became a popular favorite in the early '80s through repeated exposure on FM radio and the arena rock circuit. Thorogood's music was always loud, simple, and direct -- his riffs and licks were taken straight out of '50s Chicago blues and rock & roll -- but his formulaic approach helped him gain a rather large audience in the '80s, his albums regularly went gold.
Originally, Thorogood was a minor-league baseball player but decided to become a musician in 1970 after seeing John Paul Hammond in concert. Three years later, he assembled the Destroyers in his home state of Delaware; in addition to Thorogood, the band featured bassist Michael Lenn, second guitarist Ron Smith, and drummer Jeff Simon. Shortly after the Destroyers were formed, he moved them to Boston, where they became regulars on the blues club circuit. In 1974, they cut a batch of demos that were later released in 1979 as the Better Than the Rest album.
Within a year of recording the demos, the Destroyers were discovered by John Forward, who helped them secure a contract with Rounder Records. Before they made their first album, Lenn was replaced by Billy Blough. Thorogood & the Destroyers' eponymous debut was released in early 1977. The group's second album, Move It on Over, was released in 1978. The title track, a cover of Hank Williams' classic, was pulled as a single and it received heavy FM airplay, helping the album enter the American Top 40 and go gold. Its success led to MCA's release of Better Than the Rest, which the band disdained. In 1980, Ron Smith left the band and the group added a saxophonist, Hank Carter, and released its third album, More George Thorogood and the Destroyers.
Following the release of More George Thorogood, the guitarist signed with EMI Records, releasing his major-label debut, Bad to the Bone, in 1982. The title track of the album became his first major crossover hit, thanks to MTV's saturation airplay of the song's video. The album went gold and spent nearly a full year on the charts. Thorogood's next three albums after Bad to the Bone all went gold. Between Bad to the Bone and Thorogood's next album, 1985's Maverick, the Destroyers added a second guitarist, Steve Chrismar. A song from that album, "I Drink Alone", was used for the Don't Drink and Drive-campaign. In the same year they appeared at Live Aid playing with blues legends Albert Collins and Bo Diddley.Thorogood continues to tour and draw large crowds. Recent efforts include 2003's Ride 'Til I Die, and 2006's The Hard Stuff. Thorogood returned to EMI/Capitol in 2009, releasing the bar band covers album The Dirty Dozen. Two years later, he continued the covers journey with 2120 South Michigan Ave., a tribute to Chess Records. The special guests on 2120 South Michigan Avenue sport direct connections to Chess and Chicago’s blues scene. Guitarist Buddy Guy made his Chess label debut 51 years ago.
Thorogood remembers, “I went to [the Austin blues club] Antone’s for the first time in 1977, and I saw Buddy Guy play. It was the first time I saw him, and I never forgot that he led off with [Chess artist Tommy Tucker’s] ‘High Heeled Sneakers.’ I thought that was just unbelievable. Buddy just tore it apart, like he does everything – that’s his style.”
Eric Clapton once described him as the best guitar player alive. In fact, it's been through the support of his many famous and respected admirers that blues master Buddy Guy has come to the attention of rock audiences, from touring with the Rolling Stones in 1970 to soliciting guest appearances from Clapton, Jeff Beck, and Mark Knopfler for Damn Right, I've Got The Blues, the Grammy-winning 1991 album that both reestablished his stature in the music community and marked his greatest commercial success to date.
Guy began playing his instrument as a teenager, inspired by such Southern blues greats as Lightnin' Slim and Guitar Slim. The young guitarist left Baton Rouge in 1957 to test his chops in Chicago, the urban capital of the electric blues. Guy was on the verge of starving when a merciful stranger led him to the 708 Club and persuaded that evening's performer, Otis Rush, to allow him to sit in. Guy's impromptu performance earned him a steady gig at the club, and he was soon playing regularly at other local venues. His fierce, visceral style caught the ear of venerable composer/bassist Willie Dixon, who helped Guy land a contract with the noted blues label Chess Records. Though Guy was originally signed by Leonard Chess as a singer, he became a house guitarist for the company, playing on records by such legendary artists as Muddy Waters and Howlin' Wolf in addition to making radiant recordings on his own. (Waters was an early Guy supporter, having caught his show at the 708 Club).
Since Guy's arrangement with Chess prevented him from getting credit for his work with artists on other labels, he eventually switched to Vanguard. Some of his most memorable work on Vanguard was done in collaboration with the great harmonica player Junior Wells [see entry], who Guy first met in a Chicago club and with whom he maintained a close association until Wells' death of cancer in early 1998. (The duo's last concert, recorded in 1993, was released as Last Time Around —Live at Legends). Some of Guy's most acclaimed solo albums have been recorded live, including the Alligator release Stone Crazy!, one of his personal favorites, which captures a 1978 performance in France.
Although many of Guy's fans insist that he is best appreciated in concert, his recordings through the '90s have proved critical and popular favorites. Among them are three star-studded Grammy-winning albums: 1991's Damn Right, I've Got the Blues, 1993's Feels Like Rain (featuring Bonnie Raitt, Paul Rodgers, John Mayall, and Travis Tritt), and 1994's Slippin' In (with the Double Trouble rhythm section, pianist Johnnie Johnson, and guitarist David Grissom). Heavy Love (1998) features Jonny Lang and Steve Cropper. In 1993 Guy received Billboard's Century Award. He tours constantly, appearing at blues clubs and festivals around the world. Guy owns a Chicago club called Buddy Guy's Legends, where he can be found both performing and enjoying the playing of other acts when he's in town.
Now well into his 70’s, Guy is still going strong. Recent releases have included Sweet Tea, an electric blues album recorded in Mississippi; and Blues Singer, a 2003 acoustic set in which Guy covers favorites by such peers as Skip James, Son House and John Lee Hooker, 2007’s Can’t Quit the Blues a 3 CD compilation box set as well as a number of compilation CDs.