Parking Opens: 4:00 PM Doors Open: 5:00 PM Audio Recording: No Video Recording: No Photography*: Yes Flash Photography: No Food & Drink: No Coolers: No Umbrellas: Yes Weapons: NoResale Allowed: No Delivery Delay: No *Non-Professional photography / no zoom lenses larger than 2 inches / no detachable lenses
General Public Onsale: Friday, March 2nd, 2012 10:00 AM
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Reserved Seating (Covered Pavilion)
Jeremiah Weed Club Seating (Covered Including Cocktail Service)
Upper Reserved (Uncovered Bench Seating -- No Seat Backs)
Moxie Energy Lawn Seating (Uncovered-General Admission)
This is the seating map pertaining to the configuration for this event:
STYX is Tommy Shaw, James "JY" Young, Lawrence Gowan, Todd Sucherman and Ricky Phillips (along with the occasional surprise appearance by original bassist Chuck Panozzo), have performed more live since '99 than all of the previous years of its career combined. Two Super-Bowl appearances, Pollstar Box Office chart-topping tours with Def Leppard, Journey, Boston, REO Speedwagon, Bad Company (to name only a few), two more studio albums and no end in sight, STYX continues to conquer the planet, one venue at a time.
Early on, Styx's music reflected such then-current prog rockers as Emerson, Lake & Palmer and the Moody Blues, as evidenced by such releases as 1972's self-titled debut, 1973's Styx II, 1974's The Serpent Is Rising, and 1975's Man of Miracles. While the albums (as well as non-stop touring) helped the group build a substantial following locally, Styx failed to break through to the mainstream, until a track originally from their second album, "Lady" started to get substantial airplay in late '74 on the Chicago radio station WLS-FM. The song was soon issued as a single nationwide, and quickly shot to number six on the singles chart, as Styx II was certified gold. By this time, however, the group had grown disenchanted with their record label, and opted to sign on with A&M for their fifth release overall, 1975's Equinox (their former label would issue countless compilations over the years, culled from tracks off their early releases). On the eve of the tour in support of the album, original guitarist John Curulewski abruptly left the band, and was replaced by Tommy Shaw. Shaw proved to be the missing piece of the puzzle for Styx, as most of their subsequent releases throughout the late '70s earned at least platinum certification (1976's Crystal Ball, 1977's The Grand Illusion, 1978's Pieces of Eight, and 1979's Cornerstone), and spawned such hit singles and classic rock radio standards as "Come Sail Away," "Renegade," "Blue Collar Man" and "Fooling Yourself."
A career-encompassing live album, Caught in the Act, was issued in 1984, before Styx went on hiatus, and the majority of its members pursued solo projects throughout the remainder of the decade. A re-recording of their early hit, "Lady" (titled "Lady" '95"), for a Greatest Hits compilation, finally united Shaw with his former Styx bandmates, which led to a full-on reunion tour in 1996. But drummer John Panozzo fell seriously ill at the time (due to a long struggle with alcoholism), which prevented him from joining the proceedings -- as he passed away in July of the same year. Although grief-stricken, Styx persevered with new drummer Todd Sucherman taking the place of Panozzo, as the Styx reunion tour became a surprise sold-out success, resulting in the release of a live album/video, 1997's "Return to Paradise," while a whole new generation of rock fans were introduced to the grandiose sounds of Styx via a humorous car ad which used the track "Mr. Roboto," as well as songs used in such TV shows as South Park and Freaks & Geeks.
Did You Know? In 1972 the band members decided to choose a new name when they signed to Wooden Nickel Records; several suggestions were made and Styx, the name of the river in Greek mythology between Earth and the Underworld, was chosen because it was "the only one that none of us hated".
Sure, you can call the members of REO Speedwagon rock stars. But if you have to label them, here's the more accurate term they prefer: Working musicians.
Formed in 1967, signed in 1971 and fronted by iconic vocalist Kevin Cronin since 1972, REO Speedwagon has - for decades - been a confounding blend of consistency and change.
They rode in station wagons, going from tiny gigs to even tinier gigs, just to get the REO name out in the early days. Later they rode the top of the charts with a RIAA certified 22 million albums sold in the U.S. and 40 million around the globe, with a string of gold and platinum records and international hit singles. The 9-times certified Hi Infidelity remains a high-water mark for rock bands.
Make all the "Ridin' The Storm Out" or "Roll With The Changes" cracks you want, but that's exactly what the band has done. REO Speedwagon has that Midwest work ethic.
The band has gone onstage and in the studio and done the work, year after year - dozens of albums, hundreds (or thousands?) of concerts, infinite radio spins. The eyes have always been on the future and on the road - not a year has gone by where REO Speedwagon didn't perform live, thrilling fans with hits like "Keep On Loving You" and "Can't Fight This Feeling."
And yes, they do roll with the changes. With the modern-day music industry disintegrating, the band members recorded Find Your Own Way Home in 2007 and put it out themselves through Walmart - and personally drove to radio stations across the country to get it heard. Ultimately the album (yes, REO Speedwagon still makes albums, not a bunch of songs) had more success than it would ever see with a record company. Whatever the band members need to do to connect with fans, they do it.
"We're still doing it and still going strong," Cronin says.
Did You Know? Formed loosely in the late '60s at college in Champaign, IL, REO was famously named after a fire engine. The band’s fans quickly realized there was much more going on here than your average frat-party band.
The incomparable guitar genius and fire-breathing intensity of Ted Nugent have carved him a permanent place among the legends of rock. Hailing from Detroit, the guitarist's prodigious talents, ear-shattering volume and over-the-top onstage antics quickly earned Young Ted the moniker of "Motor City Madman," along with international acclaim.
Recognized as the world's leading guitar showman, Nugent's no-holds-barred career spans five decades of multi-platinum hits. From the ground breaking Amboy Dukes' "Journey to the Center of the Mind," to classics like "Stranglehold" and "Cat Scratch Fever," Damn Yankees chartbusters like "High Enough," cult classic "Fred Bear," and now “I Still Believe,” Ted's rapid-fire sonic assaults continue to sell out venues around the globe.
The sounds he wrings from his almighty Gibson Byrdland leave audiences gasping for breath and begging for more. To millions of guitar lovers everywhere, TED NUGENT is rock and roll.
With over 40 million albums sold and more media face-time than most active politicians, Ted Nugent has earned his status as an American icon.
Acclaimed for his bold, insightful commentary on issues ranging from the American Dream to bio-diversity, Nugent is a regular guest on top-rated radio and television programs nationwide. Nugent’s own Spirit of the Wild television show is a six time—and counting!—winner of the Golden Moose Award for programming excellence on the Outdoor Channel, where he serves as Ambassador for the network. Ted has been inducted into the National Bowhunters Hall of Fame, marking the pinnacle of recognition for Nugent as a bona fide Bowhunting Legend of the 21st Century. And Nugent has recently been named “Favorite Hunting Personality” by the readers of Outdoors Magazine.
A recipient of numerous commendations from state police, sheriff departments, FBI and police agencies nationwide, Nugent has been lauded for his Ted Nugent Kamp for Kids and Freedom’s Angels, along with work as a national spokesman for D.A.R.E and as Ambassador for Big Brothers/Big Sisters and the Pass It On Outdoor Mentors Program.
Did You Know? Ted Nugent is a family man and one of the few hard rockers who has admirably stuck by his lifelong anti-drugs and -drink stance throughout his career.